Works
  • Youngjoo Cho, Full Time-Double_28 Oct., 2026
    Youngjoo Cho
    Full Time-Double_28 Oct., 2026
    Wool and acrylic yarn
    25 x 25 x 25 cm
    9 7/8 x 9 7/8 x 9 7/8 in
  • Youngjoo Cho, Flesh Behind the Curtain, 2025
    Youngjoo Cho
    Flesh Behind the Curtain, 2025
    Single channel video, colour, sound, English (Korean subtitles)
    19 min 22 sec
    Edition of 5 plus 1 AP
  • Youngjoo Cho, Writing My Body Score, 2024
    Youngjoo Cho
    Writing My Body Score, 2024
    Paper, digital print
    30.5 x 100 cm
    12 x 39 3/8 in
    Edition of 5 plus 1 AP
  • Youngjoo Cho, True Stories 1: Warm, 2022
    Youngjoo Cho
    True Stories 1: Warm, 2022
    Archival pigment print
    40.5 x 32 cm
    16 x 12 5/8 in
    Edition of 5 plus 1 AP
  • Youngjoo Cho, True Stories 2: Orange_1, 2022
    Youngjoo Cho
    True Stories 2: Orange_1, 2022
    Aquarelle on paper
    26.8 x 19.8 cm
    10 1/2 x 7 3/4 in
  • Youngjoo Cho, True Stories 2: Orange_2, 2022
    Youngjoo Cho
    True Stories 2: Orange_2, 2022
    Aquarelle on paper
    19.8 x 26.8 cm
    7 3/4 x 10 1/2 in
  • Youngjoo Cho, Full Time-Double, 2019
    Youngjoo Cho
    Full Time-Double, 2019
    Pigment print
    16 x 30.5 cm
    6 1/4 x 12 in
    Edition of 10 plus 1 AP
  • Youngjoo Cho, Writing My Body, 2019
    Youngjoo Cho
    Writing My Body, 2019
    Single channel video, colour, sound
    10 min
    Edition of 10 plus 1 AP
Biography

Youngjoo Cho (b. 1978, Seoul) is a conceptual artist based between Seoul, Berlin, and Paris. Working across performance, installation, photography, video, sound, and dance, Cho investigates the cultural and social dynamics that shape identity, gender, and power. Her work often examines the position of Korean women within contemporary society, revealing the irrationalities and contradictions of social structures through both personal and collective narratives.

 

Cho frequently realises institutional exhibitions and commissions, producing works that engage diverse publics through participatory and performative strategies. Her projects often involve collaborations with children, teenagers, and middle-aged women, addressing questions of female identity, gendered perception, and the relations between Western men and Korean women.

 

She studied at the École nationale supérieure d’arts de Paris-Cergy (DNSEP with honours, 2007; DNAP, 2005), the Université Paris 8 (MFA studies, 2003–2005), the École municipale supérieure d’arts de Rueil-Malmaison (2004), and Sungkyunkwan University, Seoul (BA, 2001). Cho is currently completing her residency at the Jan van Eyck Academie, Maastricht, which concludes at the end of 2025.

 

Her works are held in the collections of the Museum of Contemporary Art Busan and the Cheongju Museum of Art, Korea.

Exhibitions
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