Daeyou Kim
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Daeyou KimBelonging among Belongings: Face and Things, 2025Oil on linen90 x 90 cm
35 3/8 x 35 3/8 in -
Daeyou KimBelonging among Belongings: Photo and Glass Bottle, 2025Oil on linen60 x 60 cm
23 5/8 x 23 5/8 in -
Daeyou KimEmbodied Stillness: Bodhisattva, 2025Oil on imitation gold leaf on linen53 x 45.5 cm
20 7/8 x 17 7/8 in -
Daeyou KimEmbodied Stillness: Torso, 2025Oil on imitation gold leaf on linen53 x 45.5 cm
20 7/8 x 17 7/8 in -
Daeyou KimFigureless: Strangely Intimate, 2025Oil on canvas33.4 x 23.2 cm
13 1/8 x 9 1/8 in -
Daeyou KimAfternoon, 2024Oil on linen22 x 27.3 cm
8 5/8 x 10 3/4 in -
Daeyou KimNurturing the Nature: Gardening, 2024Oil on linen65.1 x 47.4 cm
25 5/8 x 18 5/8 in -
Daeyou KimPerpetual Descent, 2024Oil on canvas60.6 x 50 cm
23 7/8 x 19 3/4 in -
Daeyou KimThe Gaze: An Encounter with Eternity, 2024Oil on canvas30.9 x 25.4 cm
12 1/8 x 10 in -
Daeyou KimA Pine with A Friend, 2023Oil on linen60.6 x 50 cm
23 7/8 x 19 3/4 in -
Daeyou KimFlowers: Flow and Dance, 2023Oil on canvas45.5 x 38 cm
17 7/8 x 15 in -
Daeyou KimLight, a Tree and Shadow, 2023Oil on canvas30 x 30 cm
11 3/4 x 11 3/4 in -
Daeyou KimSpecks Over the Time, 2023Oil on canvas45.5 x 33.4 cm
17 7/8 x 13 1/8 in -
Daeyou KimUnreachable, 2023Oil on canvas90.9 x 72.7 cm
35 3/4 x 28 5/8 in -
Daeyou KimThe Scene of Others, 2021Oil on canvas30 x 30 cm
11 3/4 x 11 3/4 in
Daeyou Kim is a Seoul-based painter whose work quietly explores the perceptual space between the ordinary and the imagined. Grounded in daily routines and fleeting observations—street flora, shifting shadows, moments caught in passing—his paintings transcribe an inner landscape where the familiar turns quietly strange. His canvases often appear suspended between memory and materiality, shaped by the emotional residue of small, recurring scenes.
Kim’s paintings often arise from a subtle confusion between what is seen, remembered, and felt. By transposing scenes from his own surroundings—tulips under a streetlamp, a pine tree silhouetted against Christmas lights, petunias in a shared garden—he creates a visual vocabulary attuned to quiet rhythms and the emotional weight of the mundane. His work reflects on what it means to see something repeatedly, until its presence becomes both strangely familiar and emotionally resonant.
Critics have described Kim’s images as sites of interruption rather than translation—images that abandon their journey toward concept and instead return, halfway, to the realm of things. His painting resists the notion of image as intermediary. Instead, it becomes the destination, the point at which interpretation is suspended. What remains is not truth or falsity, but something nearer to proximity: scenes that are nearly this, almost that, familiar but out of reach.
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Enseoul announces debut at PAN Amsterdam 2025 18 July 2025We’re thrilled to announce that Enseoul will make its debut at PAN Amsterdam 2025, taking place from 1–9 November 2025 in Amsterdam. For this inaugural...Read more -
Enseoul at Art Rotterdam 2025 24 March 2025Enseoul is pleased to participate in Art Rotterdam 2025, taking place from 27 – 30 March at Rotterdam Ahoy. We will be presenting works by...Read more
